These are hand-rolled slabs, cut into a tile format, but treated like paintings. I use surface texture and glaze,
just as an oil-painter may use paint. Unlike a domestic tile, the surfaces are raised and experimental, placing them
much more akin to the discipline of painting as to tile making. The beauty and interest in this body of work,
is not only the defiance to the structural perception of tiles, but to the loose and illustrative nature of sketching.
